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| Slide talk opener - a work in progress.... |
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| One of my favorite books ever! I love introducing their work as a great example of getting away from traditional and moving towards original. |
Spring semester for me is filled with BFA exhibition preparations for graduating seniors each year, so I like to teach a few different workshops during the Fall semester at Cornish College of the Arts. The print resource lab is a special gem in the Art Dept. It is run by Brad Taylor and Tory Franklin.
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| I premixed pigments, retention aid, and formation aid, with finely beaten paper pulp made for painting onto fresh sheets of paper. |
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| Fresh sheets of wet cotton on left, and abaca on right with pigmented pulp on top layer. |
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| We used Abaca, Bamboo, and Cotton pulps for this workshop. |
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| Variety of tools and materials. I use a paint mixing drill attachment for beating linters. |
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| Print Resource Lab |
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| Dyed paper samples and a roll of special Katagami stencil paper I bought in Tokyo used for rice paste resist. This paper is super strong and water resistant which allows it to last for many years. |
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| Pulp painting and papermaking fiber samples. |
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| Paper samples |
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| Cornish Art students |
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| Image: Kristin Swenson-Lintault ASSEMBLAGE 24 x 24 encaustic, oil, paper, on wood panel |
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| Image: Kristin Swenson-Lintault FLYTTA, 10 x 10, encaustic, oil, mixed media on panel |
