Created a few more additions to my I AM HERE photos series. Still having fun with this series.....its not too serious....just a be in the moment glimpse when I am otherwise so in my head this year.......Things haven't felt fun for long while now.....so looking for it anywhere I can. And moments like these over a rushing river with my family are really sacred right now.
Camping at Mt. Baker
Taking time out for some needed space to slow down and be in the trees......The PNW is truly the best for that. Grateful for this beautiful location....Grateful for the summer weather....and grateful for space away from the intense times we are all experiencing this year....even just for a minute.
Importance of Scouring Fibers
Before beginning to mordant or dye cotton, linen, bamboo or hemp fibers, be sure to scour with Synthrapol and Soda Ash to remove any existing oil or wax. This will help the dye to adhere evenly.
Below I am scouring cotton canvas and lightweight muslin with 10ml (2 tsps) Synthrapol and 20g (4 tsps) Soda Ash for each pound of fiber. This simmers for about an hour in batches. Do not overfill your pot. You will gradually see the water color change from clear to yellow depending on your fiber type. I changed out the water several times as I am doing many batches.
Yellowing shows evidence that scouring was needed. |
Scoured fiber |
Natural Dye Production and Research
Logwood simmering |
Persimmon pre-soaking |
Botanicalcolors.com artist talk |
Botanicalcolors.com artist talk |
Botanicalcolors.com artist talk |
Botanicalcolors.com artist talk |
Research - Layers in the Landscape
Encaustic Textile Series
This post is a throw back to a small scale series I made in 2019 inspired by my visit to Yellowstone National Park to research it's amazing landscape. These worked out so well..... that I am utilizing these as studies now to develop a natural dyed canvas series, possibly much larger in scale.
Encaustic Textile Series
Encaustic Monoprinting + layered muslin and encaustic on canvas
Sold at a While Supplies Last event curated by Anthony White
at the Bellevue Art Museum.
Kristin Swenson-Lintault 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Kristin Swenson-Lintault, 2019 |
Work in progress |
Work in progress |
Heated palette |
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