Updated my Contact Info. with photo of current encaustic textile series.
Showing posts with label Kristin Swenson-Lintault. Show all posts
Showing posts with label Kristin Swenson-Lintault. Show all posts
KSL Studio History
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| KSL Studio, Seattle WA. |
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| KSL Studio....finishing remodel construction 2004 |
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| complete roof replacement... |
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| new full size windows and used double doors.... |
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| Ventilation (2 fan combo) for three work stations completed....continues up into loft storage area |
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| Ceiling lights, ventilation and sky lights |
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| studio shop sink on far right is a bathtub raised up...great for rinsing dyed fabric |
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| Stove top for making encaustic medium and making natural dyes from scratch |
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| Heating natural dyed fabrics to remove wax resist. |
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| Teaching workshops |
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| Teaching workshops |
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| Work in progress.... |
Pulp Painting at Cornish College of the Arts
Washi Papermaking at Cornish College of the Arts - PREPARATION OF FIBERS AND VAT
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| After soaking overnight, we boiled Japanese KOZO with soda ash to soften the fibers. |
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| We prepared several pounds in separate batches. |
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| Brad Taylor is explaining the cleaning process. |
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| After boiling and cleaning, the fibers need to be beaten to continue separating the fine strands. |
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| This Sukibune Vat was donated to Cornish College of the Arts over 20 years ago as a gift from Washi Papermakers in Mino City, Japan |
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| The beaten Kozo has been added to the vat filled with water. |
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| Rob Lutz prepared Formation Aid to add to the vat which is essential when using long fibers. |
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| After careful evaluation of the consistancy of all elements......(looking for the right sound and feel) the vat is ready to pull sheets of Washi paper. |
Washi Papermaking at Cornish College of the Arts - SAMPLES
Our Washi demonstration at Cornish went great. Here are samples that I've been collecting or making for years.
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| Japanese stencil paper roll |
Summer 2016 - Teaching at Pratt Fine Arts Center
I'm looking forward to teaching painting in the Youth Summer Program at Pratt Fine Arts Center in Seattle during July and August 2016.
Washi Papermaking 2-Part Demonstration
I have been working with so many great people at Cornish College of the Arts. Two of which are artists Rob Lutz and Brad Taylor. We discovered our common interest in making paper by hand and were inspired to prepare a wonderful Washi Papermaking demonstration at Cornish next month. We have been carefully boiling, cleaning and beating Kozo (mulberry) fibers to make Washi by hand in a traditional Japanese Sukibune vat. We will pull sheets using a Su-keta frame and I will introduce some pulp painting methods (that I learned years ago from the master hand papermaker, Richard Hungerford) using super finely prepared pulp that has been colored with pigments.
New Logo
I have been playing around with some ideas for a KSL Studio logo.
This one worked great after learning a photopolymer plate process.
It captured my ink sketch perfectly...easy to make....
and slightly embossed the paper which I like.
Now I need to experiment with background color.....
Art and Science: Encaustic and Audiology
I have been waiting a long time....I am so thankful for this moment.
Several years ago I was honored to be asked to collaborate with Dr. Kelly Tremblay, Professor in the Dept. of Speech and Hearing Sciences at the University of Washington and Dr. Robert Burkard, Professor and Chair, Dept. of Rehabilitation Science at the University of Buffalo to produce the cover art for this textbook they were working on. It grew to become a three part series which includes an exceptional selection of world-renowned scientists and experts in audiology, auditory neuroscience, and biology as contributing authors. I now have my own copy and I am overflowing with gratitude. There is nothing quite like linking my love for art and science in this way....with such inspirational and generous people.
Translational Perspectives in Auditory Neuroscience
Book 1 Normal Aspects of Hearing
Book 2 Hearing Across the Life Span - Assessment and Disorders
Book 3 Special Topics
by Kelly L. Tremblay, PHD, CCC-A
Robert F. Burkard, PHD, CCC-A
Plural Publishing, San Diego, USA
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| Cover Art by Kristin Swenson-Lintault |
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| Cover art by Kristin Swenson-Lintault |
The following is generously written before the Introduction:
ABOUT THE COVER AND THE ARTIST
The cover art starts with an interesting story that highlights the power of perspective. Perspective is everything. When the first editor saw the image of "Ripple" (back book cover), she clearly saw the artist's depiction of hair cells. But when the artist turned it upright (as it was intended to be viewed) she said, "no" they are actually ripples and roots representing the changes a newborn baby brings to life. Clearly we saw the image from different perspectives, each influenced by our own experiences. And like science, we appreciated the art form and we learned from it. The author shared images and knowledge about the science of hair cells, which the artist unknowingly illustrated so well. In turn the artist taught the scientist about encaustic painting.
The art form used in the cover artwork is called encaustic painting. Encaustic painting is an ancient art form notably used in the Fayum mummy portraits from Egypt around 100 to 300 AD. The form in and of itself is relevant to our mission. It involves heating beeswax to which colored pigments are added. Because wax is used as the pigment binder, other materials can be encased or collaged into the surface, or layered, using the encaustic medium to adhere it to the surface. Our front cover was created using multiple layers of wax, each composed of figures and concepts that appear throughout the textbook. When viewed as a whole, each micro element contributes to the more macro understanding of human communication.
The artist, Kristin Swenson-Lintault, earned her MFA in fiber/textiles in 1996 and her BA in Fine Art/Drawing in 1993. She has studied painting at Hospitalfield House, a 13th century studio art center in Arbroath, Scotland, as well as traditional natural dye and indigo textile dyeing, washi hand papermaking, and wood-fired ceramics in Japan and South Korea. Her paintings have been exhibited nationally and in Nakajo, Japan. She has always been inspired to create work that deals with extracting the essence of some aspect of nature with an emphasis on abstraction, color, surface, and layering. Her current work is part of an ongoing series examining origins, connections, and lifelines. She teaches mixed media encaustic painting workshops at her studio in Seattle, Washington. More information can be found at www.ksl-studio.blogspot.com.
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| Original work titled "Ripple" by Kristin Swenson-Lintault Encaustic and Mixed Media on panel 2007 (in the collection of Dr. Kelly Tremblay) |
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| Figure 4-18 Page 85 Examples of hair cells in various stages of degeneration after being damaged by acoustic trauma |
The imagery in the painting "Ripple" was the inspiration that began the collaborative process.
Dr. Kelly Tremblay was moved by this painting in a way that from my point of view is the perfect example of the potential and importance of how art and science can interconnect. I had been making many paintings from the point of view of the interior of the body and was studying microscopic images in my research at the time. Tremblay is known as one of the most valued contributors in the field of audiology and the importance of the inner ear hair cells (stereocilia) to her decades of research and interest in auditory rehabilitation became the linking concept for our work together.
The back cover painting is printed from a different perspective/angle intentionally to highlight the reference to the structure of stereocilia inside the cochlea of the inner ear. The image additionally references sensory hair cells that have clearly been damaged, bent or broken leading to permanent hearing loss.
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| Original work titled "Translational Perspectives" by Kristin Swenson-Lintault Encaustic and Mixed Media on panel (in the collection of Dr. Kelly Tremblay) |
This painting "Translational Perspectives" was created during the time the book was being written. The book title had already been determined. I was building, painting, layering, fusing, and painting some more over a period of many months. I had studio visits with both Dr. Tremblay and Dr. Burkard here at my Seattle studio. What a pleasure it was to learn about their work and do my best to communicate though my personal vision for a project that was in process and in the early stages.
This blog post is small piece of my perspective but it is also a response to a book review I discovered that hoped for commentary from me.
Anthony T. Cacace, Communication Sciences & Disorders, Wayne State University, Detroit, MI wrote a long book review in The International Journal of Audiology in 2014. Here is just a small bit. I am grateful for his time to include words about the cover art.
"When initially encountering the first book in this series, one is impressed with the provocative artwork on the front and back covers. The title of the painting on the front cover, "Translational Perspectives" also seems to have inspired the title of the book, although we never get any commentary or perspective from the artist (Kristin Swenson-Lintault) why this title was used and/or why this specific symbolism was chosen. The term 'translational' is also of interest because it can have different meanings to people for whom this book is intended. Perhaps we can speculate that the intent of the artist is to have people use their imagination with respect to the underlying meaning; the science audience is different and would probably have a more objective viewpoint."
Behind the Scenes at KSL Studio
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| Early stages of "Translational Perspectives" |
At this stage....."Ripple" had already been exhibited in three exhibitions. First at a juried show at Gallery Up in Rock Hill S.C. Then again in Seattle for two solo shows I did called "Anchorage" in 2008 and another show titled "Inside Out" in 2010. As I worked on this new painting I gathered references from my own past work as well as audiology.
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| screenprinting on handmade paper |
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| acrylic on canvas |
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| ink drawing on paper |
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