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Seattle, Washington, United States
Kristin Swenson-Lintault is a multi-media painter who works at her KSL Studio in Seattle as well as Cornish College of the Arts as the Visual Arts Studios Technician. She earned an MFA in Fiber/Textiles and BA in Fine Art – Drawing at Southern Illinois University, which included residency at Hospitalfield House, a 13C. historic Studio Arts Centre in Arbroath, Scotland to study painting and in Japan/S. Korea to study traditional natural dyes, textile printing, washi papermaking and anagama wood-fired ceramics. She has since traveled to France, Netherlands, Germany, Mexico and Belize to research art, history, and architecture. Her work has been exhibited in juried shows locally, nationally and in Nakajo, Japan, and is featured on the covers of "Translational Perspectives in Auditory Neuroscience" a textbook series by Tremblay and Burkard. Her work is included in the permanent collection at the Brooklyn Art Library in NYC and the Museum of Encaustic Art in Santa Fe, NM. She is currently exhibiting paintings at the Encaustic Art Institute Gallery in Santa Fe, NM. She teaches workshop intensives at her Seattle studio, Cornish College of the Arts and Pratt Fine Arts Center.

Looking Back 2016 - Pulp Painting Workshops





Spring semester for me is filled with BFA exhibition preparations for graduating seniors each year, so I like to teach a few different workshops during the Fall semester at Cornish College of the Arts. The print resource lab is a special gem in the Art Dept. It is run by Brad Taylor and Tory Franklin. 

I premixed pigments, retention aid, and formation aid, with finely beaten paper pulp made for painting onto fresh sheets of  paper.

Fresh sheets of wet cotton on left, and abaca on right with pigmented pulp on top layer.

We used Abaca, Bamboo, and Cotton pulps for this workshop.


Variety of tools and materials. I use a paint mixing drill attachment for beating linters. 

Print Resource Lab

Dyed paper samples and a roll of special Katagami stencil paper I bought in Tokyo used for rice paste resist. This paper is super strong and water resistant which allows it to last for many years.

Pulp painting and papermaking fiber samples.

Paper samples

Cornish Art students

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