My photo
Seattle, WA., United States
Kristin Swenson-Lintault, a painter whose works examine origins, connections, and lifelines with an emphasis on abstraction, color, sculptural surface and layering are inspired by textile structures and natural forms. Her process integrates drawing, painting, and monotype printing using encaustic and mixed media. Her MFA in Fiber/Textiles and BA in Studio Art at Southern Illinois University, included residency in Scotland to study painting and in Japan/S. Korea to study traditional natural dyes, textile printing, washi papermaking and anagama wood-fired ceramics. Her work has been exhibited in juried shows locally, nationally and in Nakajo, Japan, and is featured on the covers of "Translational Perspectives in Auditory Neuroscience" a textbook series by Tremblay and Burkard. Her work is included in the permanent collection at the Brooklyn Art Library and the Museum of Encaustic Art in Santa Fe, NM. She currently exhibits work at the Encaustic Art Institute Gallery in Santa Fe. She is the Visual Arts Studio Technician at Cornish College of the Arts and teaches workshop intensives at her KSL Studio, Cornish College of the Arts and Pratt Fine Arts Center in Seattle.

Contact Me.

klintault@gmail.com

See menu bar above for available works. Thank you for visiting.

Looking Back 2016 - Pulp Painting Workshops





Spring semester for me is filled with BFA exhibition preparations for graduating seniors each year, so I like to teach a few different workshops during the Fall semester at Cornish College of the Arts. The print resource lab is a special gem in the Art Dept. It is run by Brad Taylor and Tory Franklin. 

I premixed pigments, retention aid, and formation aid, with finely beaten paper pulp made for painting onto fresh sheets of  paper.

Fresh sheets of wet cotton on left, and abaca on right with pigmented pulp on top layer.

We used Abaca, Bamboo, and Cotton pulps for this workshop.


Variety of tools and materials. I use a paint mixing drill attachment for beating linters. 

Print Resource Lab

Dyed paper samples and a roll of special Katagami stencil paper I bought in Tokyo used for rice paste resist. This paper is super strong and water resistant which allows it to last for many years.

Pulp painting and papermaking fiber samples.

Paper samples

Cornish Art students

Comments

Popular Posts