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Seattle, Washington, United States
Kristin Swenson-Lintault is a multi-media painter who works at her KSL Studio in Seattle as well as Cornish College of the Arts as the Visual Arts Studios Technician. She earned an MFA in Fiber/Textiles and BA in Fine Art – Drawing at Southern Illinois University, which included residency at Hospitalfield House, a 13C. historic Studio Arts Centre in Arbroath, Scotland to study painting and in Japan/S. Korea to study traditional natural dyes, textile printing, washi papermaking and anagama wood-fired ceramics. She has since traveled to France, Netherlands, Germany, Mexico and Belize to research art, history, and architecture. Her work has been exhibited in juried shows locally, nationally and in Nakajo, Japan, and is featured on the covers of "Translational Perspectives in Auditory Neuroscience" a textbook series by Tremblay and Burkard. Her work is included in the permanent collection at the Brooklyn Art Library in NYC and the Museum of Encaustic Art in Santa Fe, NM. She is currently exhibiting paintings at the Encaustic Art Institute Gallery in Santa Fe, NM. She teaches workshop intensives at her Seattle studio, Cornish College of the Arts and Pratt Fine Arts Center.

Looking Back 2016 - R&F Pigment Stick Workshop




I have been working with encaustic since 2001 and specifically with R&F products. I have toured their facility, become friendly with the owner and staff, done demos for them here in Seattle, and use them as a constant resource for my workshops. There is something to be said for supporting small business and working artists who have worked decades developing the best materials they can. My intention with the following workshop at Cornish was to showcase how R&F pigment sticks are great on their own without encaustic, whereas I have always combined both in my usual personal practice. 

























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